Category: Urbanism

Transportation, Urbanism

SDOT Decries Tactical Urbanism While Allowing Eco-Blocks All Over the City

By Erica C. Barnett

The Seattle Department of Transportation forgot the first rule of holes when its social media rep posted a testy defense of SDOT’s decision to swiftly eliminate an unauthorized crosswalk at a dangerous Capitol Hill intersection.

Responding to a person who posted a photo of an SDOT crew power-washing the guerrilla crosswalk away, SDOT wrote, “We are always interested in working with residents and businesses on ways to make walking safer and more comfortable and will evaluate the intersection to see how we might replace the unauthorized crosswalk. In the meantime, it will have to be removed. Improperly painted crosswalks give a false sense of safety which puts pedestrians in danger. There are better ways for people to work w/ us to indicate crossing improvement needs & to make sure changes achieve what is intended—get people to their destinations safely.”

In response, hundreds of Seattle residents piled on with stories about their own often-futile attempts to get SDOT to improve pedestrian safety in their neighborhoods, mocked (and interrogated) the idea that “unofficial” paint makes crosswalks less safe, and questioned why the department leaped into action to remove the guerrilla crosswalk while telling Seattle residents that their requests for safety improvements would need to go through the years-long Seattle Process.

Then, amid the furor, Mayor Bruce Harrell’s new SDOT director jumped in the thread, lashing out at one poster (among many) who suggested that SDOT’s primary mission is to make the city safe for cars (a pretty common charge against city transportation departments nationwide.) “There is not a single person at SDOT who comes to work hoping fewer people cross the street. This is a propagandistic comment that is pure disinformation,” Spotts wrote.

“Political participation is not the same as altering the public right of way yourself. Folks are invited to participate in all sorts of ways and we are listening.”—SDOT director Greg Spotts, responding to tweets supporting a guerrilla crosswalk on Capitol Hill

Down that thread, Spotts responded to a tweet about SDOT’s utter indifference to the illegal placement of “eco blocks” to prevent homeless people from parking in public rights-of-way around the city. “Placing of ecoblocks is not acceptable And “I’m unwilling to pull SDOT crews off important safety projects to remove ecoblocks,” Spotts wrote. (In other words—as SDOT has told this publication before—it is actually acceptable, in the sense that SDOT will continue to accept it.) Even further downthread, Spotts mentioned another issue with unauthorized crosswalks, one not directly related to safety: “Liability.”

In all, Spotts responded to dozens of tweets, defending SDOT’s decision and suggesting that people go through official participation channels rather than engaging in tactical urbanism. “Political participation is not the same as altering the public right of way yourself. Folks are invited to participate in all sorts of ways and we are listening,” Spotts wrote.

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In the past, when citizens have altered crosswalks to represent their neighborhood—including a Pride flag on Broadway and a Pan-African black, red, and green crosswalk in the Central District—previous SDOT directors responded much differently, working with communities to paint the crosswalks in ways that make them more durable and visible to drivers. (Until 2017, there was even an official Department of Neighborhoods website for neighbors to apply for non-traditional crosswalks.) This administration, in contrast, seems intent on digging in its heels.

In response to the backlash, SDOT issued a statement that continued in the same chiding tone. “We have heard the message loudly and clearly that the public wants more crossing and safety improvements.  We appreciate the passion which has driven someone to paint their own crosswalk, however this is not the right way to voice your desire for change,” the statement reads. “There are standards which we are legally required to follow when painting a crosswalk. The unauthorized markings at E Olive Way and Harvard Ave E have been removed because they do not comply with city standards.”

Eco-blocks, which also do not comply with city law (and which residents use explicitly to deprive people of places to live), apparently do not rise to the level of urgency created by unauthorized lines on the ground.

Business, Mayor Harrell, Morning Fizz, neighborhoods, Police, Urbanism

Outdoor Seating Is Here to Stay, City Extends Hiring Deadline for Police Accountability Director, “Seattle Nice” Debates “Operation New Day”
Councilmember Dan Strauss, at La Carta de Oaxaca in Ballard
Councilmember Dan Strauss, at La Carta de Oaxaca in Ballard

1. Back in 2013, when the city opened its first “parklet” in two former parking spaces on Capitol Hill, opponents (like this guy, who called the city “vehemently, virulently anti-car”) claimed that repurposing parking spaces for non-car uses would lead to all kinds of calamities, including lost parking revenue, traffic congestion, and the collapse of business districts—after all, why would anyone go to a business if they couldn’t park out front?

Parklets eventually caught on, and none of the dire consequences opponents predicted came to pass—in fact, the outdoor seating made business districts more appealing by bringing people into areas that used to be choked by cars. During the pandemic, the city decided to expand the program (allowing larger, more permanent structures) and make it free, providing safe, semi-permanent spaces for restaurants and bars to operate and helping businesses that might otherwise have closed.

Sitting under one of these temporary outdoor structures outside the La Carta de Oaxaca restaurant in Ballard Tuesday morning, Mayor Bruce Harrell signed legislation sponsored by District 6 Councilmember Dan Strauss to extend the program until January 31, 2023, with a goal of making it permanent. Eventually, Strauss said, the city will start charging for the permits and impose design standards for street dining structures, but that it won’t be “the same amount as [revenue from] five parking spots”—the pre–pandemic cost. “We don’t want to rush and jump to conclusions about how much a permit should cost or what the design standards should do,” Strauss said.

In a sign of how much things have changed since the parklet program started, only one reporter asked how making the program permanent would impact “parking and traffic congestion,” and Strauss responded with a hand wave. Gesturing to cars parked across the street, Strauss said, “As you see, we are having both the ability to have people eating outside and to park their cars. There’s many parking stalls here. What we also see here in Ballard is with increased density, we have more people living close to [businesses]”—people who don’t need to drive.

2. Seattle’s Office of Police Accountability won’t have a new permanent director until this summer at the soonest, giving the mayor’s office and city council time to launch a national candidate search for the high-profile role. Former OPA Director Andrew Myerberg left the office in January to join Mayor Bruce Harrell’s office as the new Director of Public Safety; Dr. Gráinne Perkins, an adjunct professor of criminology at Seattle University and a former detective in the Irish Police Service, currently runs the OPA as interim director.

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During a city council public safety committee meeting on Tuesday, committee chair Lisa Herbold said the council will waive the standard 90-day deadline for the mayor to appoint a replacement for a departing OPA director; ordinarily, if the mayor misses the 90-day deadline, the public safety committee is responsible for appointing a new director. Instead, Deputy Mayor Monisha Harrell said her office will hire a recruiting firm that specializes in police oversight positions, with a goal of identifying six candidates and starting to interview them by May 27.

Deputy Mayor Harrell added that the next OPA director will need to be a “special unicorn” who can navigate increased public scrutiny of police oversight agencies. During Myerberg’s four years at the OPA, police accountability advocates criticized his  cautious approach to investigating police misconduct—particularly allegations of excessive force, which Myerberg argued were rarely black-and-white enough to justify firing an officer. Myerberg said he was wary of recommending discipline that officers could get overturned on appeal; his wariness may be one reason for the overall decline in the number of disciplinary appeals filed by Seattle police officers over the past five years.

Harrell added that her office will also form a committee, which will include members of Seattle’s Community Police Commission, to review the OPA director’s job description. In the past year, the CPC has increasingly challenged the OPA for what it views as inadequate disciplinary recommendations in high-profile misconduct cases.

3. This week on the Seattle Nice podcast, Erica and political consultant Sandeep Kaushik debate the merits of Mayor Harrell’s “Operation New Day” effort to crack down on crime in downtown Seattle. Continue reading “Outdoor Seating Is Here to Stay, City Extends Hiring Deadline for Police Accountability Director, “Seattle Nice” Debates “Operation New Day”” →

Maybe Metropolis, Urbanism

2021 in Review: New KEXP DJ Signals Emergent Seattle

by Josh Feit

In order to gauge whether you live in a successful city, there are a few key questions to ask yourself. Is there: affordable housing and a strong job market, ubiquitous public transit, mixed use zoning, economic and cultural diversity, a local economy defined by successful independent businesses, a rich arts scene, and lots of parks, sidewalks, benches, greenways, and other human scale infrastructure?

An overlooked, but equally important question to ask is this: Is there anything to do in your town late at night? As with the other urbanist measures—affordable housing, please?—Seattle has an iffy record on the night-owl front. Before Amazon lures another early 20-something tech worker to town, they might want be honest and tell them there’s a dearth of food and drink options in South Lake Union after 10 pm.

Due to Seattle’s notably slim late-night pickings, this post-midnight litmus test inadvertently put the spotlight on one of Seattle’s new treasures in 2021: KEXP’s Overnight Afrobeats with DJ Lace Cadence, which comes on at 1:00 am every Saturday morning.

You could file Overnight Afrobeats, which debuted in August 2020, under the arts category, and more specifically, under the great local radio category—traditionally another astute metric for sizing up worthy cities; though not as much so in the internet age. But relegating Lace Cadence’s show to the arts scene misses the point.

Whether it’s explicitly understanding nighttime as a discrete ecosystem, or realizing that different times create different civic opportunities, our city planners need to start incorporating time of day into their analysis of what makes a city tick. This is why I like to think of Overnight Afrobeats as specifically part of Seattle’s after-hours environment. In 2021, Overnight Afrobeats, which features ridiculously catchy, contemporary African pop music, became valuable Seattle infrastructure. It also helped me fall just a little bit more in love with our emergent city.

Be prepared. When you tune in Overnight Afrobeats (you can also listen to it on KEXP’s archives), you’re not going to get the standard KEXP DJ mumbling like a teen wallflower or casually surprising you with a set list update and a few pearls of deep wisdom every 20 minutes. DJ Lace Cadence, real name Isaac Porter, is a mischievous presence, giggling, singing along with the jams, blaring sound effects like lasers, airhorns, and bombs, and even stopping records midstream because he wants to run the jam back from the top for you. “Oh my goodness!” he says in his giddy and infectious patter as he cues it back up, “I love this song.” Lace—the nickname comes from his teenage graffiti tag—also segues from song to song without playing the whole thing sometimes. He’s in a race, it seems, to share everything he can with you. “Let’s go!!” he hollers over the sound of an explosion. “You know the vibe.”

City planners need to start incorporating time of day into their analysis of what makes a city tick. In 2021, Overnight Afrobeats, which features ridiculously catchy, contemporary African pop music, became valuable Seattle infrastructure.

The first time I heard Lace Cadence on KEXP was a year ago. He was subbing on Positive Vibrations, KEXP’s regular Saturday morning dub and reggae show, gleefully defending himself to startled regulars who were emailing and texting to tell him to mellow out. With disarming grace, Lace schooled everybody, explaining that his style was actually in sync with the Jamaican turntable DJ clashes from the 1950s and early 1960s that created reggae and dub in the first place. And I’d add: his DJ persona falls in the tradition of DJs such as Jamaican-born DJ Kool Herc, who took the mic in the Bronx to invent hip-hop in the 1970s.

Asked about his style—unorthodox for KEXP—Cadence said: “I have to find the balance of doing my thing and respecting some of the guidelines that were in place long before my arrival. I’m never told how to host my show. But I do have reviews where things are pointed out that I should be aware of because I talk like 100 times more than other shows.” His mysterious, reticent sidekick Moh, who always seems to join the chaotic show late—and from another part of the country (D.C.) or the world (Côte d’Ivoire)—assists Lace with the track info that streams live. “[He] allows me to mix live, and focus on the music while he handles the playlist and comms,” Lace says, when asked who the heck Moh is. “He is one of my best friends and first people I met in the scene here.”

Cadence landed the show after Gabriel Teodros, a veteran Seattle hip-hop artist who recently (2020) started doing a morning show on KEXP, caught Lace’s all-African DJ set at a Hollis gig; Hollis Wong-Wear is a local pop success in her own right who has done four electronic R&B LPs with Lace over the years in their trio the Flavr Blue. According to Lace, his Afrobeats set “sparked a conversation with Gabe,” and Teodros “suggested I submit a demo to KEXP because he felt changes were needed and coming in programming.”

Continue reading “2021 in Review: New KEXP DJ Signals Emergent Seattle” →

Guest Contributor, Transit, Urbanism

The New Light Rail Expansion Makes Seattle Feel Like a Real City
Sound Transit Roosevelt Station facade
Image via Sound Transit.

By Katie Wilson

Anyone who’s ever been carless in Seattle knows the feeling that your city wasn’t really built for you. Cars whiz by, spewing exhaust and, if it’s especially wet, plowing up great sprays of dirty water that don’t respect the boundaries of the sidewalk. Biking on most streets is not for the faint of heart. Sometimes it takes so long to cobble together a bus trip from here to there, it’s almost faster to walk. Seattle has been making progress on its multimodal infrastructure, and some streets are safe, beautiful and well-designed — but take a wrong turn, and very quickly you can feel like an unwelcome stranger in your own city.

That’s what made the opening of three new light rail stations earlier this month so thrilling. An event like that transforms the topology of the city, drawing close together points that were once so distant as to feel totally disconnected. For people who don’t drive, it makes the city feel more like home.

I biked and walked past that construction site at NE 43rd St. in the University District so many times over the past few years, it began to feel like a permanent feature of the neighborhood. I almost forgot it was ever going to open. Then, suddenly, it was October 2 .

Now I could leave my Capitol Hill apartment, walk for ten minutes, board the train and be whisked away to the heart of U District in what felt like a heartbeat — no bus transfer, no hike through campus. Wandering the streets around the U District station that afternoon, you could feel the neighborhood being transformed. What had been a dead end was now a hub, a portal. People streamed in and out of the station. They bought lunch, sat at picnic tables, conversed. A new place had been created.

An event like that transforms the topology of the city, drawing close together points that were once so distant as to feel totally disconnected. For people who don’t drive, it makes the city feel more like home.

I probably wouldn’t have ridden the train on that first day if it weren’t for Pauline Van Senus, also known as the Transit Fairy. While the rest of the Transit Riders Union floated off into the Zoom-o-sphere during the pandemic, Pauline doubled down on the physical world, pulling weeds and picking up trash around transit stops. She wasn’t about to let such a momentous transit occasion slide by without TRU members marking the occasion, so a group of us met at the Capitol Hill station that morning and rode up to Northgate together.

“It’s like 14 minutes to get to Northgate from downtown,” said Pauline. “Even if I-5 was wide open, that would be hard to top. And it very seldom is wide open; it’s usually backed up.”

Train speeds that beat the pants off driving—that’s the kind of transit system that entices people out of their cars. In our era of climate crisis, it’s what we desperately need.

For Jim MacIntosh, who lives in Magnolia with his family, the new light rail extension shaves a good twenty minutes off the trip up to Northgate to visit his mother. That trip used to require traveling all the way downtown. “Now I can take the 31 right to the U-district station, and then just hop on the light rail, and it’s two stops and five minutes later we’re at Northgate,” he said.

We need more funding for transit, and we need changes to zoning and land use regulations that encourage greater housing density, so that neighborhoods near the light rail line can accommodate more people who will actually use late-night runs.

Jim says he’s thrilled that our transit system is starting to feel more and more like a real metropolitan subway system, the kind he remembers from visits to London and Vienna, Washington D.C. and New York City.

“What we have is maybe not quite the level of New York, but it’s a start,” he said with a laugh. “It’s going to add mobility, especially for those that choose not to drive or don’t drive for whatever reason.”

Jim doesn’t drive because he’s visually impaired. He predicts he’ll be making the trip north more often now — and it’s not only about the time savings.

“It’s just a more pleasant run,” he said. “The light rail trains are smooth. You don’t have the up and down motion that you have in a bus, and the swerving where buses have to get around cars or every time they pull into a bus stop. When the bus moves, a person standing there is thrown off balance, so they have to grab onto a pole or something. On the light rail you don’t have the sudden motions back and forth.” Continue reading “The New Light Rail Expansion Makes Seattle Feel Like a Real City” →

Density, Diversity, Maybe Metropolis, neighborhoods, Urbanism

Maybe Metropolis: Sorry Gen Xers, Capitol Hill is Cooler Than It Used To Be. And Less White.
Capitol Hill's Neumo's on a Wednesday night in October.
Lines around the block are political wins; Capitol Hill’s Neumos on a Wednesday night in October.

by Josh Feit

With additional reporting by Erica C. Barnett

Many of my Gen X peers like to wax about Capitol Hill circa the late ’90s, as they long for the golden years when the central Seattle neighborhood was so much cooler. When I think about Capitol Hill, I like to cast my mind back decades as well. But not to pine for the past. Rather, to remember the aspirational crystal ball renderings of city visionary Liz Dunn, who laid out a plan in the early 2000s to revitalize the neighborhood. Honestly, Capitol Hill was a predictable white hipster zone at the time. Nowadays, I like marveling at how Dunn’s vision for an energized, vital city neighborhood came true.

Sorry to burst your nostalgic bubble fellow Gen Xers, but Capitol Hill is far cooler today than it was in the past. I’ve lived on Capitol Hill for 20-plus years, and it’s never been a more exciting place to be than it is right now.

I was the news editor at The Stranger 20 years ago and, jealous that my colleagues on the arts side of the paper had established the Genius Awards for arts and culture trailblazers, the news team managed (in 2007) to give out “Political Genius” awards. The news staff picked developer Liz Dunn as “one to watch” for her “pro-development and pro-density” plan to “bring more life to the street” on Capitol Hill.

In a lovely case of “how it’s going,” fast forward 14 years to Dunn’s premier project, Chophouse Row, which is located at the epicenter of Capitol Hill between Pike and Union on 11th Ave. With its winding indoor-outdoor arcade, its restaurants, housing, shops, landscaped punch-throughs, and a lively public fire-pit courtyard where local jazz legend Evan Flory-Barnes regularly takes the stage, Chophouse Row has become Exhibit A for the new, action-packed Capitol Hill. Just across the street from Dunn’s bourgeois garden of delights? A plebian pizza joint that serves stiff drinks. And right around the corner from that: another grungy pizza joint, a lesbian dive bar, a coffee shop that’s been around since 1995, a punk rock burrito joint, a perfectly cheesy Mexican place, a late-nite diner, and a loud tavern.

In fact, Capitol Hill itself is Exhibit A in my counter-narrative to the notion that Seattle is dying. Capitol Hill has always been billed as a one of Seattle’s destination neighborhoods, and—as someone who regularly frequents the jumping Pike/Pine Corridor—I can tell you, anecdotally, it has never been more popular and crowded. The crowd has never been more diverse either.

Driven by an increase in people identifying as Asian and mixed-race, Capitol Hill’s white population dropped nearly 10% as a percentage of the neighborhood overall.

Standing in line for a veggie dog from one of the many street vendors lining Capitol Hill’s drag, watching a weirdo electronic show at Vermillion Gallery, or grabbing a drink at your pick of taverns and dives on the weekend, it’s impossible not to notice the sea change that’s taken place on Capitol Hill in recent years. Whereas 10 or 15 years ago, you were likely to see sparser foot traffic and mostly white faces, these days the crowds appear much more diverse.

Certainly, Friday and Saturday nights mean “bridge and tunnel” crowds, which doesn’t say anything about Capitol Hill’s internal demographics, but it does indicate that BIPOC people see the neighborhood as a much friendlier destination these days. Additionally, I tested my anecdotal experience and looked at the American Community Survey stats from the four census tracts that make up Capitol Hill—from 15th Ave. E to I-5, and from Madison St. to Roy St.—and, yup, the neighborhood is less white than it used to be, according to ACS data comparing 2010 and 2019.

The African American population grew in raw numbers, but with such small numbers to begin with in the area (around 6 percent of the population in 2010), the increase in the Black population could not keep pace with Capitol Hill’s stunning 36 percent population growth overall and declined to about 5 percent of the population in 2019. Nonetheless, driven by an increase in people identifying as Asian and mixed-race, the white population declined from around 78 percent to 71 percent of the neighborhood.

Meanwhile, there’s been no real change in the average age over the past decade: 31.6 now compared to 31.8 a decade ago, according to the ACS data. In short, Capitol Hill is still youth-centric.

Of course, there’s no denying that Capitol Hill has become a more expensive place to live. The average income has climbed from $32,765 in 2010 to $51,041 in 2019 (all in 2019 dollars) and average rent for a one-bedroom has gone from about $1,000 to as much as $2,400—or around $1,700 for a smaller one-bedroom. Capitol Hill is not in the top ten most expensive neighborhoods, but certainly, like every neighborhood in the city, it needs more publicly funded, affordable housing.

As for the ubiquitous related criticism that “artists” can no longer afford to live on Capitol Hill, I say this: With the bevy of venues and spaces, there are more opportunities for artists to actually work in the neighborhood now. According to the Seattle Office of Arts and Culture’s cultural space inventory, there are 50 cultural spaces on Capitol Hill, including music venues, art galleries, performance spaces, and dance clubs—not to mention a potpourri of dining options, versus, what, chains like Taco Bell and Jack in the Box in the ’90s? And, oh, there was Café Septieme for stepping out!

Only Pioneer Square, with its concentration of art galleries, and the University District, amped by UW arts programming, comes even close to supporting as many arts and culture hives. The city didn’t catalog cultural spaces 10 or 20 years ago, but I can tell you from experience, there weren’t as many venues to see artists perform “back in the day.”

You know what else Capitol Hill has today that it didn’t in its supposed heyday? A light rail station—a busy one too. The Capitol Hill station is the third most crowded stop in Sound Transit’s system, with nearly 8,500 daily pre-pandemic weekday riders. That 2019 number represents a 12 percent jump from just two years earlier, indicating the increasing momentum Capitol Hill’s got right now. And soon, as the pandemic recedes, it will be even more crowded as college students discover the new light rail route between the U District and Capitol Hill, just a seven-minute ride.

The successful Capitol Hill station may help explain Capitol Hill’s “walker’s paradise” Walkscore designation and also the neighborhood’s increase in non-single-occupant-vehicle commuting. The share of commuters who drove to work alone declined from 35 to 27 percent, according to the ACS. Indeed, with no more parking minimums required for development on Capitol Hill, biking and walking to work also increased, helping make the neighborhood far more green and sustainable than it used to be.


Protected bike lanes now criss-cross Pike/Pine and Broadway. There's a farmer's market. And there's an activated park—Cal Anderson—for skateboarding, basketball, soccer, gleeful dog owners, or just reading a book on one of the benches by the reservoir.

None of this existed 10 or 20 years ago. And, don't worry, you can still slip into the nondescript door on 11th and climb the stairs to see a play at Capitol Hill's Annex Theater—the longest-running fringe theater in town.

Capitol Hill is certainly not the gay enclave it was in the post-Bowers v. Hardwick, pre-Obergefell v. Hodges era of the mid-1980s and 1990s. But with Gay City and Lifelong maintaining prominent footprints in the Pike/Pine Corridor, including Gay City's library, plus hangouts such as the Wild Rose, Queer Bar, the Madison Pub, and Pony among the bounty of gay bars in the neighborhood, queer-centric establishments and services are alive and well on Capitol Hill. In fact, GenPride, an advocacy group for LGBTQ+ seniors, just broke ground at Broadway between Pike and Pine on its 1,800-unit affordable housing development, Pride Place, with a 4,400-square-foot community and health services center. It opens in 2023—just in time for Gen Xers to be eligible! Continue reading "Maybe Metropolis: Sorry Gen Xers, Capitol Hill is Cooler Than It Used To Be. And Less White." →

The C Is for Crank, Transit, Transportation, Urbanism

Other US Transit Agencies Stiff Riders on Restroom Access. Sound Transit Should Defy the Trend.
An earlier version of this graphic, from 2019, touted 18 future stations; the two non-Sound Transit stations (in gray, and added to Sound Transit’s own facilities here) are at the ferry terminal in Mukilteo and at the Tacoma Dome.

By Erica C. Barnett

Sound Transit’s current plan for public restrooms at its light-rail stations calls for a grand total of 14 agency-operated restrooms between Lynnwood and Tacoma Community College more than 50 miles away—a sparse distribution that will leave many riders, including those in Seattle and most of the Eastside, with little or no restroom access.

The restrooms, when they open, will be for customers only, and may require riders to ask a security guard to unlock the restroom for them. Currently, the only public restrooms Sound Transit provides in the city of Seattle are at Union Station (upstairs from the Chinatown/International District station, and only open until 5pm) and Northgate (accessible only by requesting access from a security guard.)

Lack of access to restrooms impacts everyone using transit, but the problem is particularly acute for people with travel patterns that don’t mirror traditional home-work-home commutes, including but hardly limited to: People with disabilities that require regular restroom access; women, who tend to use transit for household errands that require many individual stops; students; people experiencing homelessness; low-income people and others who use transit to access services; and anyone who wants to rely on transit for more than a few hours at a time, in a city where restrooms for the general public are already few and far between.

Additionally, requiring riders to seek permission to relieve themselves from security guards is a barrier to anyone who doesn’t speak English or prefers to avoid encounters with law enforcement.

On Thursday, Sound Transit staff justified the sparse restroom distribution by noting that only a few locations met the criteria the agency established—a circular argument that makes it seem as if Sound Transit has no authority over its own rules. To merit a restroom, a station must be the served by at least five transit routes, have at least 10,000 boardings a day, and be at least 20 minutes away from the nearest station with a restroom by train. This standard assumes that many people—those whose final destination isn’t a station with a restroom—will plan extra time into their day to ride the train to a station with a restroom, use it, and then board another train to go on to their destination.

Sound Transit board member Claudia Balducci, who represents Bellevue and much of the Eastside on the King County Council, pointed out on Thursday that “when you apply these criteria, you end up with an entire section of our system that has truly no restroom access, which I don’t think we were going for.” Board chair Kent Keel, a member of the University Place city council, added, “When I look down at Pierce County as well, there’s none. I see the gray one at the Tacoma Dome—one of two restrooms provided by other public agencies Sound Transit has included on its own list—but that’s been there forever.”

Public-transit restrooms, which are ubiquitous in other countries, are relatively rare in the United States. Sound Transit staffers noted Thursday that they had looked at nine other “peer” transit agencies, including New York, Washington, D.C., Miami, and Los Angeles, and all offered very limited restroom access, within fare-paid zones and at major transit hubs; all require passengers to seek out a staffer to unlock the restrooms for them. To people from countries where using transit is the norm, depriving riders of such a basic amenity smacks of barbarism; in 2015, he UK Guardian described the lack of public restrooms in US transit systems as a sign that we lack “urban civilization.”

Historically, Sound Transit has rarely chosen to blaze trails when it comes to passenger access, comfort, or accessibility. For years, the agency mostly ignored complaints about its punitive fare enforcement policies, which can lead to crushing fines and even criminal charges, and continues to maintain that it must crack down on “fare evaders” because otherwise, everyone might decide to ride for free

In the case of restrooms, though, there’s still plenty of time to revamp existing policy. Instead of making restrooms rare and inaccessible, Sound Transit could decide, today, to make restroom access part of its commitment to customer service, by providing restrooms not just at far-flung transit hubs but throughout the system. Doing so would not only improve passenger comfort; it would also send a message that all kinds of people are welcome to use the system at all times of day, to go anywhere they want—whether it’s commuting straight from home to work or exploring the region from Bellevue to Ballard to Federal Way, with no particular destination in mind. Isn’t that also what transit is for?