Category: Maybe Metropolis

Maybe Metropolis: Night Vision

by Josh Feit

Mayor Jenny Durkan’s proposed 2021 budget eliminated a position that the city’s cultural community believes is essential, particularly as the COVID-19 crisis is strangling city nightlife: The Nightlife Business Advocate, also known as the Night Mayor. Fortunately, city council member Andrew Lewis took quick action to restore the position last month, getting four more council members—a majority—to sign on as cosponsors to his budget amendment.

The $155,000 save is on track to be part of  next week’s budget deal. I point out Lewis’ pivotal role because he’s the youngest council member (he just turned 31 this week), and still values nightlife as an attribute of city life. “It’s always bothered me that nightlife is seen as something that needs to be managed,” Lewis told me. “I think it’s something that needs to be cultivated.”

That’s essentially what the position, a formal liaison between nightlife businesses and city regulators, was created to do: Nightlife Advocate Scott Plusquellec helps music venues navigate the city’s complex licensing and permitting bureaucracy as well as helping with state regulators such as the Washington State Liquor and Cannabis Board. (Plusquellec was a legislative staffer in Olympia before coming to work at the city.)

The position was created in 2015 and housed in the Office of Economic Development’s Office of Film + Music under the office’s then-director Kate Becker. A veteran of Seattle’s music scene (and its storied battles against things like the Teen Dance Ordinance), Becker was both a founding member of all-ages venue the Vera Project and the Seattle Music Commission. When Becker left in early 2019 to take a job with King County Executive Dow Constantine as the County’s first Creative Economy Strategist, Plusquellec lost his high-level ally.

Becker was never replaced. After Becker left, Plusquellec reportedly had to write up a memo explaining his position to Mayor Durkan’s new OED director Bobby Lee, who started heading up the department in the summer of 2019. Judging from the mayor’s proposed cut, the new regime was not convinced.

Continue reading “Maybe Metropolis: Night Vision”

Maybe Metropolis: Improvising in the Time of COVID

by Josh Feit

A dazzling array of posters adorns the entrance to the Crocodile, Seattle’s destination music venue on 2nd Avenue in Belltown. The colorful posters are an eerie museum of ghostly show bills announcing 2020 concerts that never happened: Wye Oak March 20; Vundabar March 30; Lords of Acid April 13; Patoranking April 26; Juana Molina May 5, Gioli & Assia May 6.

For your convenience, I made a Spotify playlist called “Museum of Lost Shows” commemorating the Crocodile’s spectral season.

“A survey of 51 King County music venues revealed that in the first few months of [COVID-19] 2,100 events were canceled, 650 staff were laid off, and 17,000 musicians’ paid gigs were canceled,” according to Keep Music Live, a relief fund started by local music community advocates who have a goal of raising $10 million to keep Washington state’s small venues (under 1,000 occupancy) open through and after the pandemic.

Their rallying cry that “music venues are hubs of a cultural and economic ecosystem that make Washington’s cities vibrant” is borne out by the numbers. According to the National Independent Venue Association’s 2019 Seattle impact report on live music venues, Seattle clubs generated nearly $67 million in direct economic impact, employed 1,200 people, and sold 1.3 million tickets last year. In short: When it comes to the defining attributes of successful cities, creative music scenes are on the list right alongside dense housing, jobs, universities, mass transit, restaurants, regional medical facilities, cultural diversity, and the fine arts.

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A line around the block for a music show is a political win for any city planning office. Be it Seattle’s Comprehensive Plan or a Saturday night out, SDOT planners and Kremwerk DJs are both trying to figure out how to make things last.

When it comes to the arts, you make it last by getting creative.

So, it’s with some Seattle pride that I note this bit of city planning news: Despite the empty stages, quiet dance floors, lonely box offices, and locked club doors, Seattle’s Earshot Jazz Festival is improvising this year’s programming by partnering with Town Hall Seattle, the Royal Room, and the Langston Hughes Performing Arts Institute to make sure the festival goes on with a series of virtual shows.

With outstanding local jazz acts like the Johnaye Kendrick Quartet (Friday, October 23), Marina Albero (Sunday, October 25), the Benjamin Hunter Quintet (Saturday, November 7) taking the stage for live feeds from the aforementioned venues, Earshot will be streaming a series of 25 shows over four weekends this month and into November. It’s a scaled-back version of the festival’s typical 60-concerts-in-30-days tradition, but the resilience of our nationally recognized festival, which debuted in 1989, is an example of Seattle’s crafty and incorrigible arts scene. Continue reading “Maybe Metropolis: Improvising in the Time of COVID”

Maybe Metropolis: The Pandemic Has Forced Seattle To Reconsider Its Neo-Suburban Model

By Josh Feit

Judging by the sheer number of permits the city has issued in the past five months allowing businesses to turn sidewalks, parking spots, and city streets themselves into places for people to hang out, there’s an unforeseen consequence of the pandemic: A citywide Seattle neighborhood renaissance.

Under a temporary program called “Safe Starts,” SDOT has issued 135 such permits since the COVID-19 crisis hit, with 73 more local business requests for permits in the queue. (The numbers, based on data through September, are actually much higher because the West Seattle Junction Business Improvement Association got an unprecedented single permit allowing all 230 shops and restaurants in the district to set up a single table and chair outside their storefronts).

Seattle’s neighborhood businesses are using all these permit options (they’re free) to turn neighborhoods outside the downtown core into people-centric hot spots. Just grab a table in the middle of the street on 9th Avenue N. between Thomas and John Streets in South Lake Union, and you’ll quickly get a sense of the new block-party atmosphere that’s helped redefine the city in recent months.

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If you don’t wish to become a monthly contributor, you can always make a one-time donation via PayPal, Venmo (Erica-Barnett-7) or by mailing your contribution to P.O. Box 14328, Seattle, WA 98104. We’re truly grateful for your support.

Neighborhoods aren’t merely dedicating more public space for eating and drinking. The elevated energy is also being formalized on neighborhood side streets. As part of another SDOT program called “Keep Moving Streets,” 13 stretches of neighborhood streets, totaling more than 20 miles, have sidelined cars in favor of people. Instead of reading “Street Closed,” SDOT signs barring cars could just as logically read “Street Open.”

The takeaway for city policy makers should be clear. While inveterate single-family-zoning advocates continue to decry urbanization in any form (in order to preserve neighborhood character, they say), Seattle’s neighborhoods are not as fragile as the naysayers have claimed. On the contrary, the uptick in neighborhood action seems to have amplified, rather than destroyed, neighborhood character.

Hilariously, one business that has chosen to convert sacred parking space into café seating, Café Javasti, was an adamant parking space patriot during Wedgwood’s retrograde fight against a protected bike lane on 35th Ave. NE.

“I don’t understand why we’d ever go back.” — West Seattle Junction BIA Executive Director Lora Swift

From “outdoor cafés to outdoor retail racks,” West Seattle Junction BIA Executive Director Lora Swift said, the neighborhood has a “new cadence” and a “more European feel.”

She says she’ll be advocating to keep the permits in play through “at least 2021,” adding that she’d like the programs to stay in place longer than that. “I don’t understand why we’d ever go back,” she said, noting that her enthusiasm is “underscored by requests from the community… to continue to this new Seattle. We’ve gotten so many emails.” Continue reading “Maybe Metropolis: The Pandemic Has Forced Seattle To Reconsider Its Neo-Suburban Model”