Category: Arts

Arts, City Council, City Hall, Mayor Durkan

Arts Commission Chairs Resign Amid Furor Over Durkan’s “Surprise” Arts Director Appointment

By Erica C. Barnett

On Tuesday, the two co-chairs of the Seattle Arts Commission abruptly resigned, citing “grave concern surrounding Mayor Durkan’s lack of process in the recent appointment of the Acting Director for the Office of Arts and Culture, superseding both community and Council.”

“After meeting with the Mayor’s Office this past Friday and in their subsequent decisions, it was very apparent to us that they had an ulterior motive that did not include any input or involvement  from the Arts Commission or arts and cultural community members,” the co-chairs’ resignation letter continued.

Office of Arts and Culture logoEarlier this month, Durkan appointed former Center on Contemporary Arts (CoCA) director Royal Alley-Barnes to serve as interim director for the office, which has lacked a permanent leader since December 2020, when longtime director Randy Engstrom resigned. She’ll replace Calandra Childers, whom Durkan appointed to serve as interim director when Engstrom left.

Alley-Barnes is the former head of the then-city-funded Langston Hughes Performing Arts Institute, which is now an independent nonprofit known as LANGSTON.

LANGSTON’s current director, Tim Lennon, wrote a letter to council members expressing his opposition “not to the candidate selected but rather to the total apparent lack of consultation with our sector [and] the utter lack of an articulated strategy for ARTS which necessitates this leadership change 4 months before the end of this administration.”

Members of the ARTS Director Search Committee, including artists, curators, and academics, also wrote a letter to the Arts Commission expressing their disappointment in the process and the “surprise appointment” of Alley-Barnes. The committee convened in early 2021 to begin the process of appointing a permanent, not interim, director, according to the letter.

“The work of this Committee was initiated and overseen by Deputy Director Calandra Childers who was serving as acting Director of ARTS since February,” the letter says. “Her deep commitment and wide-ranging expertise in directing the ARTS office throughout this challenging time, while also guiding the work of this committee, is to be respected, protected, supported, and even modeled—not discarded without a conversation or any thoughtful process.”

Currently, at least eight city departments are headed by interim or acting directors.

The mayor’s office also provided a number of letters supporting the appointment. Unlike the letters of opposition, most of these focused on Alley-Barnes and her record leading arts organizations, including CoCA, over many years. Supporters of her appointment included former King County Councilmember Larry Gossett, Community Police Commission member Harriett Walden, HistoryLink director Marie McCaffrey, and CoCA board member Dr. Judith Rayl, who wrote that she “has embraced a lifetime devoted to community flourishing. Her influence is evident at all levels: regionally, locally, organizationally, and interpersonally through her excellence in leadership and mentorship.”

When a mayor appoints a new permanent department head, the city council has to vote on whether to approve the nomination. An interim appointment, in contrast, requires only the “concurrence” of the budget committee chair (currently Teresa Mosqueda) and the council president (currently Lorena González.) Both signed off on the appointment, although González said she did so only after Durkan called the question by formally announcing Alley-Barnes as the new interim director.

“It would have been my hope that the Mayor would have fulfilled the commitments made to the commission and broader arts community,”  González said in a statement. “With an interim director in place, the City will be able to search for a permanent director via a process that includes and honors input from commissioners and community members, whose role it is to advise elected officials in decisions such as these.” (Emphasis González’).

Durkan’s office disputes González’s timeline and denies that the process for appointing Alley-Barnes as interim director was in any way unusual. Durkan spokeswoman Kamaria Hightower said the mayor’s office “reached out on September 8 regarding this appointment to which both offices confirmed receipt and expressed no concerns about the imminent announcement,” adding, “the Mayor’s Office has not run a stakeholder process when appointing the Interim or Acting Directors, understanding a longer stakeholder process is needed for permanent appointments.” Continue reading “Arts Commission Chairs Resign Amid Furor Over Durkan’s “Surprise” Arts Director Appointment” →

Arts, Mayor Durkan, Parks, Police

City’s Decision to Deny Permit for Event Commemorating Art at CHOP Could [UPDATED: Did] Backfire

By Erica C. Barnett

UPDATE: On Thursday afternoon, the ACLU of Washington and Public Defender Association sent a letter to the city attorney’s office, along with several city department leaders, calling the decision to deny CHOP Art’s permit “unconstitutional” and saying “we may need to take emergency legal action” if the city doesn’t act. The says the denial was clearly based on the content of the event itself rather than any legitimate “safety” concerns.

The city, as we reported this morning, has claimed that community members have said that any event commemorating CHOP, including an event celebrating the art of the protest, “would be disturbing or even traumatic” and that they applied a higher-than-usual safety standard because of violence that occurred during last year’s protests.

Original story follows.

Mark Anthony doesn’t know why the city declined his permit for an event in Cal Anderson Park after working with his group, CHOP Art, for the last eight months, but he has a theory: “I think that it got up to the mayor’s office, and I think they’re trying to say that CHOP itself is something that’s violent or negative, which isn’t true,” he said.

Capitol Hill Seattle was first to report on the city’s last-minute decision to deny a permit for a long-planned street fair this coming weekend commemorating the one-year anniversary of last year’s Capitol Hill Organized Protest. CHOP turned into a longstanding, entrenched protest area after Mayor Jenny Durkan and her police chief, Carmen Best, responded to protests against anti-Black police brutality by indiscriminately tear-gassing protesters and targeting them with blast balls, pepper spray, and other “less-lethal” weapons.

CHOP Art was formed to store and steward the art created at the event, which the city removed but promised to display at some later date. The location of the art is now unknown after a dispute between the organization’s founders that is still ongoing.

“They completely didn’t respond to me for over a week and a half, and then [Tuesday], three days before the event, they finally got back to me saying that due to the violence that has gone on in Seattle and the violent groups [at CHOP], they said that it was not going to be a safe environment.” — CHOP Art event organizer Mark Anthony

Anthony said his intent was to have a kind of “Black renaissance fair” on the site of the protest, with the blessing of the city’s Arts in the Parks program. “They’re the ones that reached out to me,” Anthony said, adding that he’s been meeting with Randy Wiger from the Parks and Recreation department regularly for at least six months to discuss the event. When the city told him they wouldn’t support “anything in relation to CHOP,” Anthony said, he changed the name of the event, “removed every reference to CHOP,” and reframed it as a Juneteenth celebration.

“They completely didn’t respond to me for over a week and a half, and then [Tuesday], three days before the event, they finally got back to me saying that due to the violence that has gone on in Seattle and the violent groups [at CHOP], they said that it was not going to be a safe environment,” Anthony said.

The Parks Department responded to PubliCola’s questions by providing a brief statement saying that they denied the permit because of community concerns. “We have heard from community members expressing concerns that any events celebrating or commemorating the events that occurred at Cal Anderson in summer of 2020 would be disturbing or even traumatic to the community,” the statement said.

In response to a followup question about which community members had opposed the event, a Parks spokeswoman said, “We heard from neighbors, artists who had previously worked with the CHOP Art group, and other members of the general public that the proposed event would be traumatic considering both the destruction to the park and the acts of violence that took place last summer.”

Charlotte LeFevre, an organizer of the Capitol Hill Pride March and Rally, said she was disappointed but not surprised that the city denied Anthony’s permit. “It’s infuriating that the city did the same thing they’re doing to Anthony they did that to us in 2017,” she said, when “the city yanked our permit before our scheduled National Pride march.” (The controversy over that event got wide coverage at the time.)

“The city does not have the right to deny a person or an organization the right to schedule a community public event in a public park based on so called perceived security risks,” LeFevre said. Continue reading “City’s Decision to Deny Permit for Event Commemorating Art at CHOP Could [UPDATED: Did] Backfire” →

Arts, Economy, land use, Maybe Metropolis, neighborhoods

Maybe Metropolis: Seven Must Dos for Seattle’s Recovery

Public right-of-way isn’t just for cars anymore.

by Josh Feit

In a recent opinion column for the Seattle Times, Seattle Metro Chamber of Commerce President and CEO Rachel Smith and Downtown Seattle Association President and CEO Jon Scholes published “7 ‘must dos’ for downtown Seattle’s recovery,” a prescription for renewing downtown after the pandemic. Their list is premised on the idea that, “Every great city has a great downtown. Downtowns are the heartbeat of a region.” In other words, downtowns make the city go.

I like a lit-up downtown as much as anyone, but their column represents pre-pandemic thinking. The focus on “saving downtown” that’s emerging right now (most recently as a nascent local campaign issue) is a revamped version of a bygone Seattle policy agenda dressed up as urbanism; while it appears to be about bright lights and big cities, following this fussy narrative will simply drag us right back to where we’ve always been stuck: In a mindset that promotes suburban seclusion within the city itself.

There are certainly some important ideas on Smith and Scholes’ list, especially their calls for a robust transit system and for keeping shovels in motion on major infrastructure projects (which repeats the mass transit shoutout). Additionally, two of their seven agenda items, which I see as intertwined—activating public space and making it easier for entrepreneurs to set up shop—are also smart.

But these concepts are more urgent and relevant in the rest of the city; promoting them as downtown ideas runs the risk of reiterating and re-instituting a false dichotomy that has set Seattle off course for decades: The old-fashioned idea that downtown, not the rest of the city, is the only place for growth and energy.

The post-pandemic focus for making Seattle vital again should be on harnessing the new neighborhood energy—not sending it back downtown.

What we’ve actually learned during the past year not spending much time downtown is this: neighborhoods are the magic quadrants of cities. I don’t mean this in the trite, anti-downtown tribalist way of the old neighborhood movement, which saw every public-private partnership as some elitist conspiracy to crush the Wedgwood Community Council and rob the city of its authenticity. What I mean—as I’ve documented before—is that the past year has energized business districts outside the city center and alerted us to a new Seattle model. The post-pandemic focus for making Seattle vital again should be on harnessing the new neighborhood energy—not sending it back downtown.

Our past strategy of channeling city action to core neighborhoods such as downtown and Capitol Hill has prevented density in other sectors of the city, which has led to a housing shortage, and thus untenable housing prices. It also makes for dull neighborhoods.

The good news is: There are signs we’re moving in a new direction. Talk of sticking with outdoor street dining is already afoot. And just look at one of the key items on the DSA/Chamber list: “Completion of major infrastructure projects.” This item (unwittingly?) pinpoints where the real focus already is and should be.

Their first example? Light rail expansion. Well, light rail already exists downtown. The bulk of the expansion is coming to the non-downtown neighborhoods. Starting this year, that means the University District, Roosevelt, and Northgate. In 2023, that means Judkins Park (perhaps the most underrated and overlooked transformative capital project in the city!) After that, it means four stations from SoDo out to West Seattle and nine stations from the International District out to Ballard.

Continue reading “Maybe Metropolis: Seven Must Dos for Seattle’s Recovery” →

Arts, human services, Mayor Durkan

Shakeups at the City: Durkan Announces New Interim Directors for Human Services and Arts Departments

By Erica C. Barnett

Seattle Human Services Department interim director Jason Johnson—interim, since 2018, because the city council declined to approve his nomination after a series of contentious hearings—is leaving his position at the end of the year. In his place, Mayor Jenny Durkan is appointing King County Housing Authority senior policy director Helen Howell on an interim basis “while the City embarks on an inclusive, nationwide search for the permanent director,” according to a press release announcement the appointment.

Interim deputy mayor Tiffany Washington—who just replaced Shefali Ranganathan in the mayor’s office—will head up the search for a permanent director.

Johnson will officially leave the city on January 15, but will be taking a “long planned vacation” starting next Monday, he told staff in an email. “My work throughout 2020 has been on borrowed time,” Johnson’s email continued. “As you may recall, I delayed an earlier announced departure from HSD in order to help the City and our partners respond to COVID-19, develop the department’s 2021 budget, and to ensure the governance structure of the regional homelessness authority was launched and positioned to hire a CEO. … This was not an easy decision for me to make—especially given how much the department is holding at this time—but with these priorities accomplished and in good hands, it is time for me to step away. ”

Howell, the new interim director, is also the former executive director of Building Changes, a Seattle-based group that focuses on homelessness.

Howell is In 2016 and again in 2018, Howell wrote op/eds for the Seattle Times promoting diversion—programs to move people from homelessness to better housing situations, such as “getting back in the good graces of a previous landlord or negotiating with a relative who can offer a place to stay”—as “a common-sense and cost-effective strategy that helps families identify immediate options for housing without relying on housing provided by or subsidized through the homeless system.”

In 2005, she stepped down from her position as director of the state Department of Financial Institutions. According to a Seattle Times report, she was popular with consumer advocates—and unpopular with the institutions she regulated, including payday lenders—because of her focus on consumer protection. She was also the head of Washington state’s Obama delegation in 2008 and one of 11 applicants to fill Dow Constantine’s county council seat when he was elected county executive in 2009.

The Human Services Department is transferring much of its role overseeing Seattle’s homelessness system to the King County Regional Homelessness Authority next year, although HSD will continue to oversee outreach to unsheltered people through the new HOPE team established in the 2021 city budget. Encampment removals, once the purview of the Navigation Team and largely halted during the pandemic, will likely resume to some extent next year, although it’s unclear how the responsibility for future removals will be distributed among the various departments that are responsible for them now.

Johnson officially resigned his position at the end of February, but stayed on because of the pandemic, which required major shifts in how the city responded to homelessness. The city council decided not to approve his appointment, in part, because several members felt he did not respond adequately to questions about his willingness to make decisions independent from Mayor Jenny Durkan, his commitment to race and social justice, and his lack of responsiveness to questions about layoffs at the homelessness division, among other issues.

In a statement, Mayor Jenny Durkan praised Johnson’s decision to stay on board during the pandemic. “His quick and decisive actions kept our most marginalized communities safe throughout the pandemic,” Durkan said. “Because of his vision and leadership, the Human Services Department is primed to build on these efforts for years to come.”

Although the job of HSD director will be less directly focused on homelessness in the future than it has been under Johnson, the new director will also be in charge of a perpetually dissatisfied Homelessness Strategy and Investment division that has been bleeding staff due to uncertainty over whether and when they’ll get jobs in the new RHA; the delayed hiring of a CEO for that authority has exacerbated the uncertainty.

Durkan also announced two other departmental shakeups this morning: Randy Engstrom, the longtime director of the city’s Office of Arts and Culture, will be replaced by current deputy director Calandra Childers on an interim basis. According to Durkan’s announcement, Engstrom “will turn his attention to teaching, advocating for national cultural policies, and spending time with his family.”

Durkan is also replacing the acting director of the Office of Emergency Management, Laurel Nelson since longtime director Barb Graff left (only to come back temporarily to head up the city’s COVID emergency response) in 2019, will be headed by Curry Mayer, who was most recently director of Bellevue’s Office of Emergency Management.

Arts, Business, City Council, Economy, Maybe Metropolis, Mayor Durkan, Transit, Urbanism

Maybe Metropolis: Night Vision

by Josh Feit

Mayor Jenny Durkan’s proposed 2021 budget eliminated a position that the city’s cultural community believes is essential, particularly as the COVID-19 crisis is strangling city nightlife: The Nightlife Business Advocate, also known as the Night Mayor. Fortunately, city council member Andrew Lewis took quick action to restore the position last month, getting four more council members—a majority—to sign on as cosponsors to his budget amendment.

The $155,000 save is on track to be part of  next week’s budget deal. I point out Lewis’ pivotal role because he’s the youngest council member (he just turned 31 this week), and still values nightlife as an attribute of city life. “It’s always bothered me that nightlife is seen as something that needs to be managed,” Lewis told me. “I think it’s something that needs to be cultivated.”

That’s essentially what the position, a formal liaison between nightlife businesses and city regulators, was created to do: Nightlife Advocate Scott Plusquellec helps music venues navigate the city’s complex licensing and permitting bureaucracy as well as helping with state regulators such as the Washington State Liquor and Cannabis Board. (Plusquellec was a legislative staffer in Olympia before coming to work at the city.)

The position was created in 2015 and housed in the Office of Economic Development’s Office of Film + Music under the office’s then-director Kate Becker. A veteran of Seattle’s music scene (and its storied battles against things like the Teen Dance Ordinance), Becker was both a founding member of all-ages venue the Vera Project and the Seattle Music Commission. When Becker left in early 2019 to take a job with King County Executive Dow Constantine as the County’s first Creative Economy Strategist, Plusquellec lost his high-level ally.

Becker was never replaced. After Becker left, Plusquellec reportedly had to write up a memo explaining his position to Mayor Durkan’s new OED director Bobby Lee, who started heading up the department in the summer of 2019. Judging from the mayor’s proposed cut, the new regime was not convinced.

Continue reading “Maybe Metropolis: Night Vision” →

Arts, Maybe Metropolis, Urbanism

Maybe Metropolis: Improvising in the Time of COVID

by Josh Feit

A dazzling array of posters adorns the entrance to the Crocodile, Seattle’s destination music venue on 2nd Avenue in Belltown. The colorful posters are an eerie museum of ghostly show bills announcing 2020 concerts that never happened: Wye Oak March 20; Vundabar March 30; Lords of Acid April 13; Patoranking April 26; Juana Molina May 5, Gioli & Assia May 6.

For your convenience, I made a Spotify playlist called “Museum of Lost Shows” commemorating the Crocodile’s spectral season.

“A survey of 51 King County music venues revealed that in the first few months of [COVID-19] 2,100 events were canceled, 650 staff were laid off, and 17,000 musicians’ paid gigs were canceled,” according to Keep Music Live, a relief fund started by local music community advocates who have a goal of raising $10 million to keep Washington state’s small venues (under 1,000 occupancy) open through and after the pandemic.

Their rallying cry that “music venues are hubs of a cultural and economic ecosystem that make Washington’s cities vibrant” is borne out by the numbers. According to the National Independent Venue Association’s 2019 Seattle impact report on live music venues, Seattle clubs generated nearly $67 million in direct economic impact, employed 1,200 people, and sold 1.3 million tickets last year. In short: When it comes to the defining attributes of successful cities, creative music scenes are on the list right alongside dense housing, jobs, universities, mass transit, restaurants, regional medical facilities, cultural diversity, and the fine arts.

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A line around the block for a music show is a political win for any city planning office. Be it Seattle’s Comprehensive Plan or a Saturday night out, SDOT planners and Kremwerk DJs are both trying to figure out how to make things last.

When it comes to the arts, you make it last by getting creative.

So, it’s with some Seattle pride that I note this bit of city planning news: Despite the empty stages, quiet dance floors, lonely box offices, and locked club doors, Seattle’s Earshot Jazz Festival is improvising this year’s programming by partnering with Town Hall Seattle, the Royal Room, and the Langston Hughes Performing Arts Institute to make sure the festival goes on with a series of virtual shows.

With outstanding local jazz acts like the Johnaye Kendrick Quartet (Friday, October 23), Marina Albero (Sunday, October 25), the Benjamin Hunter Quintet (Saturday, November 7) taking the stage for live feeds from the aforementioned venues, Earshot will be streaming a series of 25 shows over four weekends this month and into November. It’s a scaled-back version of the festival’s typical 60-concerts-in-30-days tradition, but the resilience of our nationally recognized festival, which debuted in 1989, is an example of Seattle’s crafty and incorrigible arts scene. Continue reading “Maybe Metropolis: Improvising in the Time of COVID” →