1. Plans to build a 14-story hotel across the street from the north First Avenue entrance to Pike Place Market are now in limbo after the city’s Landmarks Preservation Board voted 6-1 to designate the three-story Hahn Building a historic landmark last week. The board previously rejected applications to landmark the building twice, in 1999 and 2014, and commission staff recommended against a landmark designation this time, “as it does not appear to have the integrity or the ability to convey its significance as required.”
The Hahn Building, which served as a single-room occupancy hotel for low-income workers, was completed in its current, three-story form in 1907, making it one of the older buildings in the area and one of dozens of SROs that used to operate downtown. (The original one-story building was finished in 1897.) One At last week’s landmarks board meeting, landmarking proponents argued that its history and proximity to Pike Place Market qualified it for historic status.
Photographer and writer Jean Sherrard called the building a “vital hinge in the market’s front door” and “a transitional step down from the tall buildings that fill the downtown core behind it.” Landmarks commissioner Jordan Kiel, who cast the lone vote against landmark status, countered that “being landmark-adjacent does not make you a landmark,” calling the heavily altered Hahn a “background” without “a significant impact to the city as an SRO.”
Residents of the Newmark condo tower, which sits directly to the east of the Hahn, have heavily supported the landmark effort, creating an online petition and GoFundMe to support their efforts. If the hotel is built, many of these condo owners would lose their views of Puget Sound to the west. Newmark residents also supported efforts to “save the Showbox,” which sits on the same block and was going to be developed as an even taller condo building.
Landmark status does not prevent a building from being demolished, but it’s one factor that a city hearing examiner will consider when deciding whether to approve a master use permit for the proposed new hotel. The developer can also appeal the landmark’s board decision to the hearing examiner.
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2. Over the next year, the Seattle Department of Transportation plans to replace all its license-plate readers—cameras that track cars and buses through traffic, producing data that SDOT uses to determine real-time travel times and improve things like signal timing—with cell-phone-tracking censors made by a company called Acyclica. The sensors, which will be embedded in utility cabinets along a handful of major arterial streets, track people’s location by identifying a specific code, or address, associated with their cell phones.
Although the city has been using Acyclica’s technology on a smaller scale since 2014, the 2017 surveillance ordinance requires the city to periodically review surveillance technologies for compliance with the ordinance. Last week, the city council’s transportation and utilities committee discussed Acyclica in the context of a city audit on license-plate readers. Several council members brought up concerns about the new technology, including the possibility that it can be used to track individual Seattle residents or by law enforcement. Continue reading “Former SRO Gets Landmark Status, Council Considers Cell-Phone Tracking Tech”→
1. One wrinkle in the news, which I reported yesterday, that Showbox building owner Roger Forbes has terminated the venue’s lease: Anschutz Entertainment Group, which operates the Showbox, doesn’t own the rights to the name “The Showbox”—Forbes does. (Through an LLC that he controls, Forbes registered the trademark in 2008, and renewed it again last year). That means that Forbes retains the ultimate authority over who gets to use the Showbox name, which is also associated with both the Showbox SoDo (a larger venue on First Ave. South, owned by Lyle Snyder of Mercer Island) and “Showbox Presents,” which promotes shows at other venues, such as McMenamins Crystal Ballroom in Portland.
If Forbes develops the Showbox property before the end of AEG’s lease, in January 2024, the trademark will reportedly revert to AEG. If Forbes retains the trademark and the venue at 1426 First Avenue continues to operate after 2024, it could always revert to one of its previous names, such as the Kerns Music & Jewelry Company; the Talmud Torah Hebrew Academy Bingo Hall; the Happening Teenage Nite Club; or, perhaps its original name: The Show Box.
Anschutz Entertainment Group, which operates the Showbox, doesn’t own the rights to the name “The Showbox”—the building’s owner, Roger Forbes, does.
2. Andres Mantilla, the director of the Seattle Department of Neighborhoods, says the city is not—contrary to what some council members and public commenters suggested yesterday—considering the addition of more properties along First Avenue to the proposed expansion of the Pike Place Market Historical District. Rather, Mantilla says, DON’s consultants (engineering firm AECOM and PR firm Stephenson & Associates) are studying other properties inside the boundaries of the original proposed expansion (which would have also “saved” a strip club, two parking lots, a new hotel, and a Starbucks) “for context.”
“What’s currently on the table is the study of the Showbox,” Mantilla says. “Any expansion on the table right now would be limited to that. There’s overlap with [the] properties” in the original proposed expansion area, but “the analysis is not meant for any sort of particular inclusion of those properties” in the historical district, he says.
That’s news to the Friends of the Market, who assumed the city’s consultants would be looking at other potentially historic properties along First Avenue for possible inclusion in the historic district. Friends of the Market president Kate Krafft, who testified in favor of landmarking the Showbox building at a meeting of the city’s Landmarks Preservation Board last night, told me she had expected the city’s consultants to contact the Market to discuss other buildings that might be appropriate for including in the historical district, but hadn’t heard from anyone at the city. (The landmarks board voted unanimously to nominate the structure for landmark status, a process that is separate from the legislation expanding the Market to include the Showbox property. Read all my tweets from the meeting here.)
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“I was under the impression that they were going to have a cultural resource specialist and that they would look at the rationale” for expanding the Market based on the historical properties of each property, Krafft said in an interview yesterday. The Friends of the Market oppose the current zoning on First Avenue, which allows buildings of up to 44 stories, like the one originally planned for the Showbox site. Krafft says historic designation wouldn’t preclude new development—it would just preclude new development that doesn’t fit in with the Market.
“Historic districts evolve,” she said. “Seven new buildings have been built in the district since 1971 and they’re in character with the district.” As for parcels included in the original proposed boundary expansion area that aren’t historic—like the two surface parking lots, or the modern, glass-walled Thompson Hotel on First and Virginia, or the Deja Vu Showgirls strip club—Krafft says they could be considered “non-contributing” properties and grandfathered in. But to do that, she says, “we need a thorough study”—and one does not appear to currently be forthcoming from the city.
3. In the wake of a widely publicized incident in which she asked to touch (and then apparently did touch) the hair of a young African American artist, the Seattle Times’ longtime metro columnist Nicole Brodeur has lost her weekly column and been reassigned to a new role covering “newsmakers” as a general assignment reporter. Lindsay Taylor, a spokeswoman for the Times, confirms that Brodeur is now a GA reporter and that her column has been “retired.”
Crosscut and the South Seattle Emerald reported on the hair-touching incident, which the artist, Alexis Taylor, wove into an installation called “Black Among Other Things,” in May. Taylor, Crosscut reported, was “assigned to write a profile on a local journalist for a journalism class” at Seattle University. “She reached out to Brodeur more than a year ago, after the columnist apologized for writing a story about Columbia City that was called racist.” In that column, Brodeur opined that Columbia City had been a dangerous “pass-through” zone until white-owned places like Molly Moon’s, Rudy’s, and Pagliacci moved in. (In a followup column that began, “Sometimes being called a racist is just the jolt you need,” Brodeur interviewed several people of color who are quoted in a way that implies they praised her just for trying to improve).
The Columbia City columns weren’t even the only times Brodeur wrote pieces that could be considered racially insensitive. After a 2010 incident in which security officers stood by and did nothing while an African American girl was beaten in the downtown transit tunnel, Brodeur wrote a column titled “Parents, Get Ahold of Your Kids, lecturing parents of color (“there’s a racial element here that I think needs to be acknowledged”) to “set some rules for decency and public behavior” for their kids and keep them from “running wild.”
On another occasion, she wrote an uncritical single-source column about a pair of First Hill pizza shop owners, the Calozzis, who claimed to have been victimized repeatedly by deranged, heroin-addled patients at a nearby methodone clinic. Some facts Brodeur failed to mention included the pizza shop owner’s long, colorful, and sometimesviolenthistory of conflicts with neighbors, business rivals, and just random people that included a number of shocking racial incidents. A Vietnamese America neighbor who sued the Calozzis for damaging his property said Jennifer Calozzi called him a “gook,” and the mother of a student who attended school with the Calozzis’ son accused Jennifer Calozzi of going on an N-word-laced “tirade the likes of which I have never seen nor heard before in my life.”
Times spokeswoman Taylor did not respond directly to a question about whether Brodeur had been demoted due to the hair-touching incident. “It is not uncommon for us to assess the best use of our resources and change focus of the staff,” she said.