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Founded in January 2009, PubliCola is a blog about Seattle written by journalists who are dedicated to non-partisan, original daily reporting that prioritizes a balanced approach to news. Started by longtime local editor and award-winning reporter Josh Feit, PubliCola is the first online-only news site in state history to get media credentials to cover the state capitol.

PubliCola was off and running. In June 2009, PubliCola hired another award-winning journalist, super-sourced Seattle city hall reporter Erica C. Barnett.

People were afraid that blogging would change journalism. Instead, we believe journalism can change blogging. Twenty-first century journalism may look and feel different, and yes Erica isn't afraid to get cranky, but we're committed to making sure online news still delivers independent, reliable, even-keeled coverage. And most of all, we're committed to making sure the coverage sparks honest civic debate.

Bringing you cola for the people, PubliCola is named after Publius Valerius PubliCola, the alias for the authors of the Federalist Papers—the original bloggers.

The first online-only news site in state history to get media credentials to cover the state capitol and Seattle city hall, PubliCola has been called a “must-read” by the Seattle Post Intelligencer and a hot “New Media Mover and Shaker” by Seattle Magazine—which also cited our own Erica C. Barnett as the city's No. 1 news nerd.

Sub Pop’s New Zealand Connection: Windswept World Rhythm and Synth Marimbas


The unlikely New Zealand-Sup Pop connection just keeps getting stronger. First, the label that once brought you Mudhoney’s Superfuzz/Bigmuff and doom/drone masterpiece, Earth 2, went and signed Wellington funny men Flight of the Conchords, and now they’ve added Ryan McPhun, aka Ruby Suns, to their kiwi contingent. It’s not totally out of the blue, Sup Pop distributed McPhun’s old group, The Brunettes, in the US and McPhun is fond of comparing the port city vibe of his home in Auckland to Seattle. But for someone like me, who is only aware of New Zealand because of its large Hobbit population, it’s still strange.

And to make it odder, jet setting business deals are the last thing I think about when listening to the bands’ insular electro-pop. Ruby Suns’s latest LP, Fight Softly, is first and foremost a patient album. It takes McPhun’s angelic tenor almost 30 seconds to say the album’s first line, “It’s my turn in the front seat.” What becomes clear is that it’s less about the lyrics than the melodies’ slow motion grace. Same thing for the electronics—

synths buzz and claps clap, but the song doesn’t propel someone to dance as much as give them a stressball to slowly squeeze and contemplate. Fight Softly takes the explosive ingredients of dance music and diffuses them, forcing the listener to focus on their synthetic ripples.

I love “Cranberry,” the album’s strongest argument for aimless majesty. It starts with pitch-shifted whoops and beach boy harmonies, but you can feel gears shifting, and after a minute it launches into an island hopping, heart stopping pop melody. On a lesser album, a left turn like this might be distracting—or worse, shorthand for a lack of ideas. But McPhun’s sense for tonal shifts reminds me of Beck in his prime: Both artists find the rush of surprise and pleasure in awkward bounces.

McPhun has claimed that album standout, “Cinco,” is actually an angry song (about his frustration with housemates who tried to kick him out). But the song’s windswept world rhythm and synth marimbas aren’t exactly Mudhoney. Even in fury,  Sup Pop’s McPhun is a gentle soul.

The Ruby Suns play Chop Suey this Thursday, April 8 (with Toro y Moi and Seattle’s USF)
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  • Joshtown

    Well-written!

    I am extra psyched for this show.