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Founded in January 2009, PubliCola is a blog about Seattle written by journalists who are dedicated to non-partisan, original daily reporting that prioritizes a balanced approach to news. Started by longtime local editor and award-winning reporter Josh Feit, PubliCola is the first online-only news site in state history to get media credentials to cover the state capitol.

PubliCola was off and running. In June 2009, PubliCola hired another award-winning journalist, super-sourced Seattle city hall reporter Erica C. Barnett.

People were afraid that blogging would change journalism. Instead, we believe journalism can change blogging. Twenty-first century journalism may look and feel different, and yes Erica isn't afraid to get cranky, but we're committed to making sure online news still delivers independent, reliable, even-keeled coverage. And most of all, we're committed to making sure the coverage sparks honest civic debate.

Bringing you cola for the people, PubliCola is named after Publius Valerius PubliCola, the alias for the authors of the Federalist Papers—the original bloggers.

The first online-only news site in state history to get media credentials to cover the state capitol and Seattle city hall, PubliCola has been called a “must-read” by the Seattle Post Intelligencer and a hot “New Media Mover and Shaker” by Seattle Magazine—which also cited our own Erica C. Barnett as the city's No. 1 news nerd.

The Heavy Music of Mystical Islam, Man

Swedish diva Victoria Bergsman’s newest project, Taken by Trees, is going to sound out of left field if the last time you heard from her was on Peter Bjorn and John’s “Young Folks.”  For Taken by Trees, Bergsman traveled to Pakistan, recruited a Pakistani band and infused gentle indie folk songs with Qawali, the harmonium heavy music of mystical Islam. Of course moving from dance pop to Vampire Weekend territory is going to get charges of appropriation. But, indie rock world, we’ve been through this before and isn’t it time we replaced the knee jerk question “Does this appropriate non-western music” with  “Does that appropriation demean it’s source?”

So yeah, Victoria Bergsman went to Pakistan and is using her pretty white face to sell to a white audience, but you get the feeling the Pakistani musicians she worked with were more than exotic decorations on the Sari she bought when she was abroad.

“To Lose Someone,” a laid back dreamer, combines acoustic guitar with clay pot percussion and the haunting tenor calls of Qawali. Sure there are a few awkward interracial buddy cop moments, but mostly the song sounds like a conversation between two distinct traditions. Its seems like Ms. Bergman treated her collaborators as people and, honestly, that’s all I want.

And some of the songs are stunners. “Anna,” her collaboration with Animal Collective’s Noah Lennox (aka Panda Bear), is my favorite of the bunch. The track floats along with a low key smile, Panda Bear’s sublime harmonies drifting beneath Bergsman’s melody. It’s a simple song, one best enjoyed while you’re saving your anger for when white people actually do something offensive.

Taken by Trees play the Triple Door with El Perro Del Mar (!) this Friday, Feb 26

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  • Desi Sparky

    Interesting. Any info on who the Pakistani band members are and how/where she recruited them? Knowing more about them as musicians could help disperse the odor of exoticism. Side note, I hope Bergsman didn't buy a sari in Pakistan, since the salwar kameez is traditional there.

  • New Friend

    Before Peter, Bjorn and John, Victoria was the voice and soul of The Concretes, who sounded like a cross between the Velvet Underground and Mazzy Star. Check out their first two albums. Not surprised with any interesting journey she takes.

  • Joshtown

    There is a National Geographic mini-documentary where you get to see a little more of the Pakistani musicians. Also, you get to see how painfully quiet (shy?) Victoria Bergsman is: http://worldmusic.nationalgeographic.com/view/p…