Viva La Cola!

Founded in January 2009, PubliCola is a blog about Seattle written by journalists who are dedicated to non-partisan, original daily reporting that prioritizes a balanced approach to news. Started by longtime local editor and award-winning reporter Josh Feit, PubliCola is the first online-only news site in state history to get media credentials to cover the state capitol.

PubliCola was off and running. In June 2009, PubliCola hired another award-winning journalist, super-sourced Seattle city hall reporter Erica C. Barnett.

People were afraid that blogging would change journalism. Instead, we believe journalism can change blogging. Twenty-first century journalism may look and feel different, and yes Erica isn't afraid to get cranky, but we're committed to making sure online news still delivers independent, reliable, even-keeled coverage. And most of all, we're committed to making sure the coverage sparks honest civic debate.

Bringing you cola for the people, PubliCola is named after Publius Valerius PubliCola, the alias for the authors of the Federalist Papers—the original bloggers.

The first online-only news site in state history to get media credentials to cover the state capitol and Seattle city hall, PubliCola has been called a “must-read” by the Seattle Post Intelligencer and a hot “New Media Mover and Shaker” by Seattle Magazine—which also cited our own Erica C. Barnett as the city's No. 1 news nerd.

The Pink Panther at Central Cinema

Because I first saw The Pink Panther (1964) at the tender age of eight, I always assumed that my nebulous and confused memories of its plot were due to my own inability to follow along.

Upon repeat some seventeen years later, I realized that I had seriously overestimated the story.  The Pink Panther meanders, stumbles, overreaches, and ultimately fails at constructing a remotely coherent narrative.  It’s sort of a heist movie, sort of a Bond spoof, sort of a Peter Sellers vehicle, sort of a farce, but even within twenty minutes of watching, one would be hard pressed to explain how any of those story elements fit together.

The thing is, though, that none of this matters.  Because the real story of The Pink Panther is style.

From an opening credit sequence that spawned a successful cartoon and plays out to my personal favorite movie theme song, this film goes on to encapsulate a vision of mid-sixties luxury in a film style that can only be described as “what’s up, Technicolor?!”

Basically, this is not a movie that you want to follow. It’s a movie you want to hang out with. Tailor made cocktail dresses in a ski lodge with a fire pit and a dancing girl doing the samba while serenading guests in Spanish: It’s that cotton-candy vision of the carefree, hedonistic upper class in which it just seems natural that everybody’s outfit matches the decor of the room they’re in, and that skiing in the Alps would be underlaid by mood jazz sprinkled with jingle bells.

Drunk on champagne and hugging a tiger.  Ah, the sixties.

Drunk on champagne and hugging a tiger. Ah, the sixties.

Of course, the other story in The Pink Panther is Peter Sellers.  This man is a master of comic timing.  He could watch paint dry and it would be funny.

Peter Sellers as Inspector Clouseau

Peter Sellers as Inspector Clouseau

Instead, he does things like trying to lean on a spinning globe, knocking his wife into a closet in a moment of overzealous affection, or kissing the hairy hand of his companion when he intends to lay his lips on the delicate digits of a princess. In the classy surroundings, Sellers’ Inspector Clouseau is a bull in a china shop, but it’s china you can’t wait to see broken into tiny pieces.

See the Pink Panther in the lap of luxury at Central Cinema: A glass of wine, a brick-oven pizza or arugula salad.  Dress up in your best pastels and pillbox hat for a little extra flair.  Plays September 30-October 7 at 6:45 & 9:30pm.