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Founded in January 2009, PubliCola is a blog about Seattle written by journalists who are dedicated to non-partisan, original daily reporting that prioritizes a balanced approach to news. Started by longtime local editor and award-winning reporter Josh Feit, PubliCola is the first online-only news site in state history to get media credentials to cover the state capitol.

PubliCola was off and running. In June 2009, PubliCola hired another award-winning journalist, super-sourced Seattle city hall reporter Erica C. Barnett.

People were afraid that blogging would change journalism. Instead, we believe journalism can change blogging. Twenty-first century journalism may look and feel different, and yes Erica isn't afraid to get cranky, but we're committed to making sure online news still delivers independent, reliable, even-keeled coverage. And most of all, we're committed to making sure the coverage sparks honest civic debate.

Bringing you cola for the people, PubliCola is named after Publius Valerius PubliCola, the alias for the authors of the Federalist Papers—the original bloggers.

The first online-only news site in state history to get media credentials to cover the state capitol and Seattle city hall, PubliCola has been called a “must-read” by the Seattle Post Intelligencer and a hot “New Media Mover and Shaker” by Seattle Magazine—which also cited our own Erica C. Barnett as the city's No. 1 news nerd.

What Kind of Movies Do We Need Right Now?

nytmagfilm

Make the time to read A.O. Scott’s article in yesterday’s New York Times Magazine on what he calls “Neo-Neo Realism.”  Scott poses an important question: What kind of movies do we need right now, in the times we face?  He finds the answer by looking back to similarly hard times in the 1930s and immediately after the Second World War.

Arguing against escapism, which I see even in the documentary genre (think Man on Wire or Encounters at the End of the World), Scott reflects on several small Neo Realist movies that have come out in the last year, and several more coming up.  In these films, “Characters undergo a painful process of disillusionment, and then keep going. The disappointment they encounter — the grit with which they face it, the grace with which it is conveyed — becomes, for the audience, a kind of exhilaration.”

One film highlighted here—Chop Shop (Bahrani, USA, 2007)—was one of my favorites to come to the Northwest Film Forum last year.  And next month, Bahrani’s new film, Goodbye Solo, will play at NWFF for one night only with the director in attendance.  He’ll even be giving aworkshop.  Don’t miss it.


  • M.Stephen

    I saw Goodbye Solo in Cleveland this past weekend and was really impressed. In fact the director was there for a special award in recognition of all three of his films. I also saw Man Push Cart and loved it too. I will have to rent Chop Shop. But Goodbye Solo the best film we have seen so far at the festival. It was very human and very exciting. The two gentleman playing the leads are really special. We loved having him. The film is a gem, so enjoy it!

  • M.Stephen

    I saw Goodbye Solo in Cleveland this past weekend and was really impressed. In fact the director was there for a special award in recognition of all three of his films. I also saw Man Push Cart and loved it too. I will have to rent Chop Shop. But Goodbye Solo the best film we have seen so far at the festival. It was very human and very exciting. The two gentleman playing the leads are really special. We loved having him. The film is a gem, so enjoy it!

  • http://alexandrab.tumblr.com/ FilmNerd

    Thanks! I am really looking forward to this, having loved the heck out of Chop Shop (rent it ASAP!). I haven’t seen Man Push Cart, will have to get my hands on it.

  • http://alexandrab.tumblr.com FilmNerd

    Thanks! I am really looking forward to this, having loved the heck out of Chop Shop (rent it ASAP!). I haven’t seen Man Push Cart, will have to get my hands on it.